7/24/2023 0 Comments Aces workflow for autodesk flameTo ensure a smooth conform, we always suggest that the whole postproduction pipeline is tested from beginning to end (on-set, dailies, editing, conforming, and finishing).Hello Flame World! Thanks again for the encouragement! It's great to know that the community on The Area is growing (and watching). For other issues that have nothing to do with the conforming process itself, such as color processing or visual effect shots, we refer you to our FAQs. A sensible double check is to test an offline reference export from the editing room and, if necessary, fix things (effects, repositions, etc.) that won't make it through the conforming process. Rebuilding the whole movie in your finishing system is really a technical job and it should be possible to avoid time-consuming errors and problems. If the source timecode and clip or reel name in the AAF/XML/EDL file matches the high-res OCN files, there should be no problem in relinking back the files. You will find more information about this procedure in the manual of your grading/mastering tool. When loading the AAF/XML/EDL in your grading tool, it is possible to relink back to your high-res OCN. After exporting the AAF/XML/EDL file from the editing software, you can load this file back to your grading tool of choice. So, you cannot edit an AAF file.Īll professional editing tools can export AAF, XML, or EDL files some can even export all three. Compared to XML, the AAF format is not human readable and it’s not possible to open an AAF in a text editor. Recent years have seen big improvements to supporting dissolves, some (not all) effects, and of course zooms and pan & scan, by using AAF (advanced authoring format) or XML format. And finally the source timecode, which is included in every source clip, identifies the used part of the source clip, defined by the IN and OUT timecode. The timeline timecode defines the target location where each clip is placed in the timeline and tells us the IN and OUT timecode. Some well-known tools include:įor relinking back to the high-res OCN files you always need some basic information to generate your final timeline in the finalization tool:įirst, the clip or reel name identifies the relevant clip. It’s always up to the user or post company to find the postproduction software that best suits the project. There are various postproduction tools on the market which all have pros and cons for different use cases. Adobe Premiere, Avid Media Composer, or Final Cut). Some people call it conforming, and others call it online.Ĭonforming or online simply means relinking back to the high-res OCN (original camera negative) files in the correct order, as defined by the editor within the editing software (e.g. When talking about the final postproduction process, two different terms are used, though they mean the same thing. For more information regarding frame lines, please visit our Frame Line and Lens Illumination Tool, where you can create and download frame lines for all ARRI cameras. The frame lines function in the camera can help with this. It’s also helpful to shoot a so-called frame leader and forward it to the post facility to ensure correct aspect ratio and framing during the final color correction and finishing/mastering.įor example, shooting for a final delivery in Scope (2.39:1), it is necessary to frame correctly with the camera on set. It is good practice to get in touch with the production team and DP to confirm the correct framing before starting postproduction work. There are many delivery formats with different aspect ratios and resolutions. Before shooting commences, every production should conduct a postproduction meeting with all those involved in the workflow in order to define the final target format and avoid problems during the postproduction process.
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